Upcoming. Paulo de Assis and Lucia D’Errico (eds.). Artistic Research: Charting a Field in Expansion. London: Rowman & Littlefield Int.

Upcoming. “Schumann’s Dichterliebe: From the problem of performance to the performance of the problem.”

Upcoming. “Sound Beyond Representation. Experimental Performance Practices in Music”, in Marcel Cobussen and Michael Bull (editors), Handbook of Sonic Methodologies. London: Bloomsbury.

Upcoming. “For a Future of the Face: Faciality and Performance in the Dance of Marlene Monteiro Freitas”. In Aberrant Nuptials: Deleuze and Artistic Research, edited by Paulo de Assis and Paolo Giudici. Leuven: Leuven University Press.

Powers of Divergence. An Experimental Approach to Music Performance. Orpheus Institute Series. Leuven: Leuven University Press, 2018.

“Variation VIII,” in Paulo de Assis et al., Diabelli Machines8 , CD and DVD. Ghent, Orpheus Institute Series., 2018.

“Aberrant Likenesses: The Transposition of Resemblances in the Performance of Written Music” (pp. 59-74), in Michael Schwab (ed.), Transpositions Orpheus Institute Series. Leuven: Leuven University Press, 2018.

“)(Z)(,“ in Paulo de Assis and Paolo Giudici, The Dark Precursor. Deleuze and Artistic Research. Leuven: Leuven University Press, 2017.